“'If God were good, He would wish to make His creatures perectly happy, and if God were almighty He would be able to do what He wished. But the creatures are not happy. Therefore God lacks either goodness, or power, or both'. This is the problem of pain, in its simplest form." – C. S. Lewis
Jill Heatherly writes: The Problem of Pain answers the universal question, "Why would an all-loving, all-knowing God allow people to experience pain and suffering?" Master Christian apologist C.S. Lewis asserts that pain is a problem because our finite, human minds selfishly believe that pain-free lives would prove that God loves us. In truth, by asking for this, we want God to love us less, not more than he does. "Love, in its own nature, demands the perfecting of the beloved; that the mere 'kindness' which tolerates anything except suffering in its object is, in that respect at the opposite pole from Love." In addressing "Divine Omnipotence," "Human Wickedness," "Human Pain," and "Heaven," Lewis succeeds in lifting the reader from his frame of reference by artfully capitulating these topics into a conversational tone, which makes his assertions easy to swallow and even easier to digest. Lewis is straightforward in aim as well as honest about his impediments, saying, "I am not arguing that pain is not painful. Pain hurts. I am only trying to show that the old Christian doctrine that being made perfect through suffering is not incredible. To prove it palatable is beyond my design." The mind is expanded, God is magnified, and the reader is reminded that he is not the center of the universe as Lewis carefully rolls through the dissertation that suffering is God's will in preparing the believer for heaven and for the full weight of glory that awaits him there. While many of us naively wish that God had designed a "less glorious and less arduous destiny" for his children, the fortune lies in Lewis's inclination to set us straight with his charming wit and pious mind.
Robert Aarhus commented: From a non-Christian POV, I would be surprised if this book made much sense -- so many of the pillars are set on Christian theology, philosophy, and tradition. If you cannot (or will not) accept the possibility of the existence of Heaven, Hell, or God, this book will be just so much incomprehensible babble. But, it is not written for that segment of the market. This book is best read by the thinking Christian who has reservations about aspects of Christianity that seem to gloss over, avoid, or ignore the issue of human suffering.
Lewis analyzes the fundamental question, or problem, of pain: how can God be omnipotent and yet allow pain (war, injury, cruelty, etc.)? Lewis's answer has many levels. Foremost, is that nature had to be created with certain unchangeable properties. For example, the same hardness which allows wood to serve as a beam in my house allows it to serve as an instrument of potential injury, as when that beam collapses and hits my head.
The world also had to be created neutral so that humans could interact equally with one another, i.e., those same, unchanging properties of wood allow it to be manipulated similarly by anyone. But, obviously a neutral world contains the potential for good or evil. Wood can be used to build a home, which is good, or to create a weapon, which is evil. But, this is what makes us human. We have free will.
If I choose evil, God could not intervene. For to intervene some times but not others would be unjust and illogical (this is why miracles, if you believe in them, are extraordinarily rare). And to intervene once is to intervene always. Imagine if God intervened each time one person was going to cause another, or himself, pain. If he did, we all would be puppets, not humans.
Another interesting idea in this book is that of Original Sin. According to Lewis, we have not inherited Adam's sin but instead everyday face Adam's identical choice, perhaps thousands of times a day. For Adam's sin was not disobedience in eating the apple, but in choosing himself over God. Adam had the opportunity to see himself either as a creation or an individual self existing apart from God. Thus, according to Lewis, a final reason for pain, is that it is God's wake-up call that we have, in constantly choosing ourselves, chosen the wrong thing.
Why would a good God create a world in which there is suffering?
Posted April 10, 2010
Reflections On The Psalms
“Psalm 19: I take this to be the greatest poem in the Psalter and one of the greatest lyrics in the world" – C. S. Lewis
Reflections on the Psalms was published in 1958. Lewis writes about the difficulties he has met or the joys he has gained in reading the Psalms. He points out that the Psalms are poems, intended to be sung, not doctrinal treatises or sermons. Proceeding with his characteristic grace, he guides readers through both the form and the meaning of these beloved passages in the Bible.
An excellent blog on the books of C.S. Lewis recently had a posting by Christopher Assenza in which he wrote in part:
Many Christians can undoubtedly remember their discomfort upon first encountering invective language in the Psalms, their incredulity at the occasional self-righteousness of the Psalmists, or a general sense of confused wonderment at the Old Testament and how it is interpreted by the Church.
Despite the wide range of reasonable explanations available to them, some Christians nevertheless often wonder how the apparent short-comings they perceive in the Old Testament can be reconciled with their deeply held belief that the Bible is the inspired Word of God. C.S. Lewis experienced the same difficulties. Although not everyone will agree with his approach, Lewis's response to these difficulties is characteristically honest, intelligent, accessible, and, in many ways, comforting. Lewis almost certainly recognized the risk of writing an analytical study of the Bible. This risk, however, is not a deterrent for Lewis, who does not shy away from offering pointed criticism of the Psalms.
In the chapter on cursings, for example, he uses words like “diabolical,” “terrible,” and “contemptible” to describe passages from Psalms 109 and 143 that valorize vengeance, infanticide, and other cruelties (20-1). Most readers who object to this description, however, would be hard-pressed to refute it. Those who do not object and are troubled by its accuracy are likely tempted, as Lewis initially is, to “leave them [the cursing Psalms] alone” (22). Yet, Lewis deftly argues that we cannot deny the malice of these curses, nor can we justify or agree with them because they are in the Bible; instead, we can learn from them about our own inclinations towards hatred, the moral effect our actions can have on others, the distinguishing moral character of the Jewish people that allowed them to experience the temptation to hate (i.e. “they took right and wrong more seriously”), and God's righteous intolerance for sin (20-33).
Why, however, might some object to this reading and others not? The answer is bound up in how Christians understand and relate to the Bible. The “Chicago Statement on Biblical Inerrancy,” a doctrinal statement by an assembly of Protestants written in 1978, describes the Bible as “infallible” and “inerrant,” the latter of which means “the quality of being free from all falsehood or mistake and so safeguards the truth that Holy Scripture is entirely true and trustworthy in all its assertions.” The Catechism of the Catholic Church says much the same thing: “the books of Scripture firmly, faithfully, and without error teach that truth which God, for the sake of salvation, wished to see confided to the Sacred Scriptures.” Both of these documents speak at length about the central, undeniable authority and importance of Scripture in the Christian life, revealing precisely why criticism of the Bible may be threatening to some.
Lewis's assertion that the Old Testament sometimes displays “[n]aïvety, error, contradiction, even... wickedness” quickly dispels any notion that he might have believed the entire Bible to be inerrant in a doctrinal sense, but throughout all of his writing Lewis does affirm the Bible's divine inspiration, its importance, and its authority (111). Lewis's view of Scripture, specifically the Old Testament, rests on many of the core ideas that span his writing, most important of which is his understanding of myth and its role in Christian revelation. Too large a topic to address in detail here, it is enough to say that Lewis saw in the old pagan myths a divinely inspired foreshadowing or anticipation of Truth that is actualized by and through Christ's historical experience on Earth.
Thus something originally merely natural—the kind of myth that is found among most nations—will have been raised by God above itself, qualified by Him and compelled by Him to serve purposes which of itself it would not have served. Generalising this, I take it that the whole Old Testament consists of the same sort of material as any other literature—chronicle (some of it obviously pretty accurate), poems, moral and political diatribes, romances, and what not; but all taken into the service of God's word. ... The total result is not “the Word of God” in the sense that every passage, in itself, gives impeccable science or history. It carries the Word of God; and we (under grace, with attention to tradition and to interpreters wiser than ourselves, and with the use of such intelligence and learning as we may have) receive that word from it not by using it as an encyclopedia or an encyclical but by steeping ourselves in its tone or temper and so learning its overall message. (111)
Lewis shows that this practice of divine “up-grading” is a recurring theme in God's interaction with mankind, manifest most significantly in the Incarnation, when “human life becomes the vehicle of Divine Life” (116). In the same way the “Old Testament is a literature thus 'taken up,' made the vehicle of what is more than human” (117). Understood in this context, the “shadows” of the cursings, when “taken up,” reveal “something more about the light” than any systematic explanation of morality could, confirming, rather than refuting, the divine purpose at work behind the Scriptures (114). Although Lewis was not a strict inerrantist, his views on Scripture have far more in common with traditional, orthodox beliefs than with any modern, liberal notions that deny the Bible's sacredness, divine inspiration, or authority. If nothing else, he uniformly affirms that the spiritual Truth conveyed by the Bible is without error.
In Reflections on the Psalms, Lewis proves this conviction by presenting a way of reading Scripture that accepts the human aspects of its authorship without diluting its inherently divine nature and purpose.
The Psalms - Mere poetry or human authors divinly inspired ?
Posted March 22, 2010
Reflections on the Psalms was published in 1958. Lewis writes about the difficulties he has met or the joys he has gained in reading the Psalms. He points out that the Psalms are poems, intended to be sung, not doctrinal treatises or sermons. Proceeding with his characteristic grace, he guides readers through both the form and the meaning of these beloved passages in the Bible.
An excellent blog on the books of C.S. Lewis recently had a posting by Christopher Assenza in which he wrote in part:
Many Christians can undoubtedly remember their discomfort upon first encountering invective language in the Psalms, their incredulity at the occasional self-righteousness of the Psalmists, or a general sense of confused wonderment at the Old Testament and how it is interpreted by the Church.
Despite the wide range of reasonable explanations available to them, some Christians nevertheless often wonder how the apparent short-comings they perceive in the Old Testament can be reconciled with their deeply held belief that the Bible is the inspired Word of God. C.S. Lewis experienced the same difficulties. Although not everyone will agree with his approach, Lewis's response to these difficulties is characteristically honest, intelligent, accessible, and, in many ways, comforting. Lewis almost certainly recognized the risk of writing an analytical study of the Bible. This risk, however, is not a deterrent for Lewis, who does not shy away from offering pointed criticism of the Psalms.
In the chapter on cursings, for example, he uses words like “diabolical,” “terrible,” and “contemptible” to describe passages from Psalms 109 and 143 that valorize vengeance, infanticide, and other cruelties (20-1). Most readers who object to this description, however, would be hard-pressed to refute it. Those who do not object and are troubled by its accuracy are likely tempted, as Lewis initially is, to “leave them [the cursing Psalms] alone” (22). Yet, Lewis deftly argues that we cannot deny the malice of these curses, nor can we justify or agree with them because they are in the Bible; instead, we can learn from them about our own inclinations towards hatred, the moral effect our actions can have on others, the distinguishing moral character of the Jewish people that allowed them to experience the temptation to hate (i.e. “they took right and wrong more seriously”), and God's righteous intolerance for sin (20-33).
Why, however, might some object to this reading and others not? The answer is bound up in how Christians understand and relate to the Bible. The “Chicago Statement on Biblical Inerrancy,” a doctrinal statement by an assembly of Protestants written in 1978, describes the Bible as “infallible” and “inerrant,” the latter of which means “the quality of being free from all falsehood or mistake and so safeguards the truth that Holy Scripture is entirely true and trustworthy in all its assertions.” The Catechism of the Catholic Church says much the same thing: “the books of Scripture firmly, faithfully, and without error teach that truth which God, for the sake of salvation, wished to see confided to the Sacred Scriptures.” Both of these documents speak at length about the central, undeniable authority and importance of Scripture in the Christian life, revealing precisely why criticism of the Bible may be threatening to some.
Lewis's assertion that the Old Testament sometimes displays “[n]aïvety, error, contradiction, even... wickedness” quickly dispels any notion that he might have believed the entire Bible to be inerrant in a doctrinal sense, but throughout all of his writing Lewis does affirm the Bible's divine inspiration, its importance, and its authority (111). Lewis's view of Scripture, specifically the Old Testament, rests on many of the core ideas that span his writing, most important of which is his understanding of myth and its role in Christian revelation. Too large a topic to address in detail here, it is enough to say that Lewis saw in the old pagan myths a divinely inspired foreshadowing or anticipation of Truth that is actualized by and through Christ's historical experience on Earth.
Thus something originally merely natural—the kind of myth that is found among most nations—will have been raised by God above itself, qualified by Him and compelled by Him to serve purposes which of itself it would not have served. Generalising this, I take it that the whole Old Testament consists of the same sort of material as any other literature—chronicle (some of it obviously pretty accurate), poems, moral and political diatribes, romances, and what not; but all taken into the service of God's word. ... The total result is not “the Word of God” in the sense that every passage, in itself, gives impeccable science or history. It carries the Word of God; and we (under grace, with attention to tradition and to interpreters wiser than ourselves, and with the use of such intelligence and learning as we may have) receive that word from it not by using it as an encyclopedia or an encyclical but by steeping ourselves in its tone or temper and so learning its overall message. (111)
Lewis shows that this practice of divine “up-grading” is a recurring theme in God's interaction with mankind, manifest most significantly in the Incarnation, when “human life becomes the vehicle of Divine Life” (116). In the same way the “Old Testament is a literature thus 'taken up,' made the vehicle of what is more than human” (117). Understood in this context, the “shadows” of the cursings, when “taken up,” reveal “something more about the light” than any systematic explanation of morality could, confirming, rather than refuting, the divine purpose at work behind the Scriptures (114). Although Lewis was not a strict inerrantist, his views on Scripture have far more in common with traditional, orthodox beliefs than with any modern, liberal notions that deny the Bible's sacredness, divine inspiration, or authority. If nothing else, he uniformly affirms that the spiritual Truth conveyed by the Bible is without error.
In Reflections on the Psalms, Lewis proves this conviction by presenting a way of reading Scripture that accepts the human aspects of its authorship without diluting its inherently divine nature and purpose.
The Psalms - Mere poetry or human authors divinly inspired ?
Posted March 22, 2010
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